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Dash of Inspiration: Planning Your Work

November 12, 2012

A Dash of Inspiration, A Cup of Creativity by Doreen

Planning Your Work

I ran across this article Digital Artistry Series #1: Planning Your Work by Tom Ross and thought it worthy of sharing for this week’s topic.   Because whether you are creating a greeting card or a masterpiece of fine art, the tips apply.  We’ve certainly chatted before about many of the Dos and Don’ts discussed in Tom’s article, but for those new to the blog, I’ve added links to some of our previous articles in the hopes it helps to refresh those who wish to once again be inspired, and those new to our community.

Digital Artistry Series #1: Planning Your Work by Tom Ross

Though I may not agree 100% with all that is said in this article by Skinny Artist, there is a fair amount of good insight and some truth to what is being said.

Being a Professional Artist Means … by SkinnyArtist.com

Here’s a little inspiration of some lovely creations created by professional digital artists.

50 Stunning Angels created by Professional Digital Artists

Here are links to a couple of previous Dash of Inspiration posts along the same subject

Better Designs = More Approvals = More Sales: September 19th, 2011

10 Reasons Why Your Photos Might Not Meet Submission Guidelines

This design required careful planning. Once I added the palm tree and carefully placed the holiday lights on the branches, the design was locked in.

Design Contest: Turkey Time Winner!

November 10, 2012

Well, it was awfully close, and several artists took advantage of bonus points activities. The winner is …

Janet Palaggi!

Congratulations, Janet. Get in touch so I can make sure you receive your $10 Amazon.com gift certificate.

Thanks to all the artists who participated in the contest. You’re all winners in my book!

Design Spotlight: Lisa Matthews

November 7, 2012

Today’s Design Spotlight shines on Lisa Matthews, an artist and photographer whose created some great designs.

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This is my top selling card.  I create greeting cards from my own artwork and my photographs.

I am a former public school art teacher a(13 years) nd have always wanted to use my artistic talents in a way to help support my family. In addition to currently being a full-time Paramedic on a hospital based ambulance, I sell clipart for computer crafting.

My artwork is a release from the stress of my job.

My husband of 25 years and I love to travel the local countryside taking photographs of the scenery and wildlife of our area and dream of being to travel more, camera in hand, to capture the beauty of all parts of the United States. Living in a small town in the heart of America is a photographer/artist’s dream.

You can see more of my work at Lisa’s Graphics and More and Lisa’s Wildlife Products.

Dash of Inspiration: Blending of Elements

November 5, 2012

A Dash of Inspiration, A Cup of Creativity by Doreen

Blending of Elements

One of my favorite ways to create is to do so using many different bits and pieces of photographs to offer a visual image as a new derivative work.  Of course to do this, you must become a ‘master’ at removing the background from an element.  Though there are many tricks and ways to do this, the bottom line is unless the image you are ‘cutting out’ has crisp lines and a solid background in a color not in the section you wish to cutout … chances are you will not get all the background, nor will your new element have smooth edges.

When removing an element from a background, no matter what technique you use to get rid of the majority of the unwanted photograph, there are two final steps which must happen for the final image you are creating to have the appearance of being created by someone who truly is a master of the digital medium.

  1. View the element at 100% and using the eraser (small size), you need to go around all the edges of the new element. This will smooth out harsh cutouts if you use a med-soft or very-soft selection and in areas which need it, choose a hard eraser brush for a clean, crisp edge when appropriate.  Here’s a tip:  It’s often best to work with a Black Layer behind your transparent one to more easily see artifacts and poor edges.
  2. After you’ve done a good job of preparing the element: When you are confident that ALL your elements are placed where you want them to be, then it’s time to do the most critical and final ‘cleanup’.  If your element is an animal or person with hair, then you need to blend those edges to offer a feeling of wisps of hair or fur.  I prefer using the Smudge tool in PS with a fairly small (2 to 8 point) brush and a strength between 75% to 100% depending on realism I wish to portray.

When GCU came out with the Submission Guidelines, one area caught my attention because it was once an area I struggled with … background removal and blending of elements.  Here is what the Submission Guidelines say for “Excessive Effects”:

“Artists should use a light hand when using special effect filters and blending options offered in digital software. There are many tutorials on the Internet on the use of the various filters available. Filters are not intended to be used in their default settings; it often takes a lot of tweaking and the use of more than one filter or blending mode to achieve an attractive image. A filter will not save a bad photo. Declines may include, but are not limited to: excessive beveling on objects, text and borders, overuse of digital filters, poorly executed effects, poor blending from masking and background removal, etc.”

Here are some tutorials to help you and as always, the real key to mastering a digital work environment is to begin with a tutorial, then from there develop your own personal tweaks to those techniques until you find a ‘method’ that works for you.

PART 1: 50+ Tools & Techniques to Remove Image Backgrounds in Photoshop from How to Geek

PART 2: 50+ Tools & Techniques to Remove Image Backgrounds in Photoshop

PART 3: 50+ Tools & Techniques to Remove Image Backgrounds in Photoshop

Off to school with you now!  See you next week!

BEFORE cleanup/blending. Shown is the initial background removal using PS background removal techniques.

AFTER cleanup and blending. Notice the fur has been blended out from the edges

Finished card design

Critique Clinic – November 3-4, 2012

November 3, 2012

How does it work? For three days a week (Friday-Sunday midnight), I will open the clinic to any artist who wants an honest peer review and critique of a card which gets plenty of clicks but no sales, so something’s probably not quite right, or you’ve got a new design you want to test drive, or you’re unsure about the marketability of a card. Or perhaps you’re a newbie who isn’t sure if a recently submitted card is up to a marketable standard. Anyone is welcome to participate. In fact, I encourage everyone to at least look at the cards in question and read the critique comments – you may learn something. The purpose of the clinic is to help artists improve the commercial appeal and marketability of their cards.

THE RULES

  • ONE card per artist only.
  • Card must be for sale at Greeting Card Universe.
  • We will take an unlimited number of artists, including those who have submitted recently, HOWEVER I reserve the right to close a clinic for the day if the submissions become overwhelming. If the clinic has been closed, and you submit a card, your comment will be deleted.
  • To submit a card for critique, post a link to the card at GCU in the comments section of this clinic post. Allowances will be made if you’ve had a card declined, or made a new design you’d like advice on. Give us the link where we can see the card, such as your private gallery, Flickr, Tinypic, etc.
  • Any artist is free to comment and/or give a critique of a submitted card. HOWEVER, post-and-run comments like “great card” or “you suck” will not be tolerated, nor will abuse. Criticism should be constructive, not destructive. Play nice or you will be banned.
  • I also won’t tolerate temper tantrums if you decide your “artistic integrity” is being stepped on because you asked for a critique, and someone told you the photo you’re using isn’t in focus. If you can’t take honest criticism, don’t submit. Once gets you a warning; twice and you’re banned from submitting in the future.
  • Artists who critique may do so by giving their opinion, posting an example of another card, or pointing the submitter to a video, on-line article, or other helpful suggestion.
  • Don’t forget that artists who are giving you tips and helpful advice are volunteering their time and trouble. Be nice. A link back to their store on your website or blog is appreciated (but not mandatory).
  • You are free not to take any advice offered. There’s no guarantee any card will be a bestseller, so don’t come into the clinic with unrealistic expectations.
  • Rules may change as we go along and we see how things turn out, okay?

So without any further ado, I declare this week’s Critique Clinic open!

Design Contest: Turkey Time!

November 2, 2012

The nominations are over. Now it’s time for the voting to begin! Use the poll below to vote for your favorite card. Nominees are listed in random order. You have until November 9, 2012 to cast your vote. Nominated artists, don’t forget to promote your entry on Facebook, Twitter, other social media sites, etc. Every vote counts!

Good luck to all!

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1.   2.

3.  4.  

5. 6.

7.   8.

9.   10.

11.   12.

 

Inspiration Station: Easter

November 1, 2012

If you’re working ahead as you should, you’ll be starting new Easter designs very soon (if you haven’t already). To help inspire you, here are some Easter resources to get those creative juices flowing – and that’s no “yolk!”

Pinterest – Easter Cards
A slew of Boards on the topic of Easter cards. Check out hot new designs as well as classic Golden Oldies.

Pinterest – Easter
More Boards, this time on the general topic of Easter. Chock full of ideas to get you started.

Pantone Color Trends 2013
This blog post contains a palette of colors to try as well as some fresh ideas for Easter and spring (and cupcakes!)

Spring 2013 on The Trend Curve
What’s going to be hot? Check this article for ideas including Easter.

Colour Lovers
Easter and pastel palettes from a prime source of color inspiration.

Happy Halloween!

October 31, 2012

Wishing everyone a safe and ghoulishly delightful Halloween! And to our East Coast artists and reviewers, you’re in our thoughts. Stay safe!

Font Frenzy: Alex Brush

October 30, 2012

 

Alex Brush font is a very pretty and very legible script font that I’d call semi-formal – it doesn’t have the elaborate loops and fussy swirls of other, more formal fonts, but it’s not a casual handwriting font, either.

I’d use this font when I wanted to add a little elegance to a card design. Because it’s easy to read and pairs nicely with non-script fonts (like Copperplate Gothic or Garamond), this will become a go-to font for your toolbox. Have fun!

Dash of Inspiration: Happy Halloween

October 29, 2012

A Dash of Inspiration, A Cup of Creativity by Doreen

Happy Halloween

Thought I’d keep this week’s Dash of Inspiration short, since so many are preparing either for the storm on the east coast tied up with Halloween.  I’ll just offer some fun Halloween visuals and an article I wrote back  in 2009 “Tricks for Halloween Photos” and wish you all a happy and safe Halloween.  To all who are in the path of the storm, our thoughts are with you; that you, your loved ones and your home all make it through safely.

Here are a couple Pinterest Halloween Boards:

Halloween Inspiration One
Halloween Inspiration Two

Creep Factor: A Collection of Dark and Spooky Photography by Noupe.com

Awesome Halloween Artwork at Fine Art America

Here is an article I wrote in 2009 about taking great Halloween Photos

May you all be safe and we’ll see you next week!

Artist Ken Lau is brand new to GCU (he joined October 2012) and this is his first card!