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Critique Clinic – August 12-14, 2011

August 12, 2011

How does it work? For three days a week (Friday-Sunday midnight), I will open the clinic to any artist who wants an honest peer review and critique of a card which gets plenty of clicks but no sales, so something’s probably not quite right, or you’ve got a new design you want to test drive, or you’re unsure about the marketability of a card. Or perhaps you’re a newbie who isn’t sure if a recently submitted card is up to a marketable standard. Anyone is welcome to participate. In fact, I encourage everyone to at least look at the cards in question and read the critique comments – you may learn something. The purpose of the clinic is to help artists improve the commercial appeal and marketability of their cards.

THE RULES

  • ONE card per artist only.
  • Card must be for sale at Greeting Card Universe.
  • We will take an unlimited number of artists, including those who have submitted recently, HOWEVER I reserve the right to close a clinic for the day if the submissions become overwhelming. If the clinic has been closed, and you submit a card, your comment will be deleted.
  • To submit a card for critique, post a link to the card’s details page at GCU in the comments section of this clinic post.
  • Any artist is free to comment and/or give a critique of a submitted card. HOWEVER, post-and-run comments like “great card” or “you suck” will not be tolerated, nor will abuse. Criticism should be constructive, not destructive. Play nice or you will be banned.
  • I also won’t tolerate temper tantrums if you decide your “artistic integrity” is being stepped on because you asked for a critique, and someone told you the photo you’re using isn’t in focus. If you can’t take honest criticism, don’t submit. Once gets you a warning; twice and you’re banned from submitting in the future.
  • Artists who critique may do so by giving their opinion, posting an example of another card, or pointing the submitter to a video, on-line article, or other helpful suggestion.
  • Don’t forget that artists who are giving you tips and helpful advice are volunteering their time and trouble. Be nice. A link back to their store on your website or blog is appreciated (but not mandatory).
  • You are free not to take any advice offered. There’s no guarantee any card will be a bestseller, so don’t come into the clinic with unrealistic expectations.
  • Rules may change as we go along and we see how things turn out, okay?

So without any further ado, I declare this week’s Critique Clinic open!

GCU Community Newsletter #14 – August 11, 2011

August 11, 2011

Lots of cool stuff happening with our GCU artist community, so let’s get right into it!

Our latest guest blogs: Doreen Erhardt’s regular column, A Dash of Inspiration – a Cup of Creativity brought us a link to her newest Squidoo lens which is all about floral photography for beginners (but pros will get a lot out of it, too). Tanya (Moonie) gave us a well researched and very informative post about photographing teddy bears and how copyright may affect your right to make greeting cards from your shots. Sheryl Kasper talked about how to fix a ho-hum flower photo and turn it into marketable gold. Sun at Night gave us a very informative article on photographing in public places, with some surprising do’s and don’ts as well as important resources for photographers.

We had no newsletter last week, so let’s go on: Doreen’s latest A Dash of Inspiration – a Cup of Creativity brought us some places to go for photo card inspiration. The Inspiration Station followed that up with even more places to get inspired, including links to scrapbook templates. And finally, Peggy Mundell gave us a class in before and after photos, telling us how she turned so-so photos into commercially appealing shots.

Until next time, don’t forget to pass the love around!

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Top Five Tips for Designing Photo Cards

With GCU’s announcement that a new tool for creating Photo Card templates has come on-line, many artists are scrambling to design cards for every category.

At the moment, all cards will go into your private gallery to be released on September 1st, when the new tool goes live for customers.

Now I know some of you already have Photo Card templates available at places like Zazzle, and like me, you find this an exciting development. Others are completely new to the concept, or perhaps aren’t as confident as the seasoned pros, so I want to address them here in my Top Five Tips for Designing Photo Cards.

First, don’t panic. Whatever graphics editing program you use (Photoshop, PSP, Gimp, etc) you will find tutorials on-line for how to work with transparent layers and make .png files. Learn how to do that first, as this knowledge is paramount to successfully creating Photo Card templates.

Second, study your market. Many on-line greeting card retailers offer Photo Cards these days. Go have a look at their offerings. Do your homework. Can you identify any trends?

Third, do your best. Treat new Photo Card designs exactly the same as you would any other design: it MUST have commercial appeal, be well composed and have eye appeal. Shoppers are more discerning than ever, and there’s plenty of competition out there for their hard-earned dollars. In addition, new Marketability Standards have to be met. If you aren’t sure, feel free to submit a new design to the Critique Clinic, held on this blog every Friday-Saturday-Sunday.

Fourth, find a niche. You know everybody’s going to be designing Photo Card templates for the super, ultra popular categories like Christmas. But there are many other opportunities for sales if you design Photo Card templates for less well represented categories. Study the categories list. Identify categories that have few or no cards, and make some to fit.

Fifth, don’t be afraid to try something new. Shoppers tend to be a little more fickle when it comes to Photo Cards versus traditional greeting cards. They like what’s hot and new, so a Photo Card template that’s on the cutting edge one year may decrease in sales the next. Break out of a design rut by trying new ways to express your creativity. You may find that by staying on top of the trends, and offering new templates in a timely manner, you’ll see more sales.

And don’t forget to have fun!

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LIGHTNING ROUND: BUTTERFLIES

We’re having a new Lightning Round for our bloggers, and the subject is butterflies (inspired by the “butterflies in the stomach” currently experienced by many artists).

The rules are simple: make a new blog post or a new Squidoo lens on the topic of butterflies. You can write about photographing butterflies, making scrapbook pages with butterflies, embroidering butterflies, drawing butterflies, collecting butterflies, creating a butterfly garden…in short, if it involves a butterfly of any kind, you’re good to go. Include links to 3 cards at GCU with a butterfly theme (any category). Give us a link to your blog post in the comments of this Newsletter post or send me an email.

Deadline is August 22nd, and I will make a master post of links on August 23rd to be shared with all participants.

And yep, there’s a prize! I’ll let the winner choose between a $25 gift certificate to Amazon, a $25 gift certificate to Starbucks, or $25 worth of free cards at GCU. How’s that for cool?

So start flapping, folks, ’cause I’m getting butterflies just thinking about the great posts we’re going to see!

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The Critique Clinic is open every Friday, Saturday and Sunday to all GCU artists seeking peer review, advice and tips. Any artist may submit or leave a critique. All artists are encouraged to check the comment threads – you’ll learn something that may help you with your own marketability.

Greeting Card Universe continues to seek new opportunities to promote itself (and you, too). They’ve got a guest post on the History of Halloween at the A Frugal Life blog. Nice!

There is a GCU artists’ group on Facebook? We encourage you to join, post cards for your fellow artists to admire, share news, and have fun!

The Salon of Art Facebook fan page (by Doreen Erhardt) is a great place to go to find links to all kinds of helpful resources like tutorials, brushes, news about competitions and contests, marketing tips and a lot more. Check it out!

Our own Peggy Mundell (DogBreedz) is in the running to join the Channel 10 San Diego A-List, but she needs your votes to get there. You can vote for her here. Locals will have the opportunity after voting to purchase a photo shoot for $80 ($150 value). Deadline’s August 27th, so get moving and get voting!

If you have a question about one of your cards being “held” for review, or if your card has been declined due to the new Marketability Standards, write to cardreview@greetingcarduniverse.com and include the PID# of the card in question.

DID YOU KNOW you can “like” this newsletter or any post on the GCU Community blog, or include them in your social bookmarks? Or Google +1 them! Just click the title of the post, which takes you to the permanent link page. At the bottom of the page you’ll see buttons for social sites like Facebook, Reddit, StumbleUpon, etc.

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The next Newsletter will be published on August 18, 2011

Guest Blogger: Peggy, Photos Before and After

August 10, 2011
Today’s guest blog comes from Peggy Mundell at DogBreedz, and she’s showing us how improving the look of a photograph will also increase its commercial appeal. Thanks, Peggy!
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How to Tweak Your Photographs
to Improve Marketability

 

Marketability – the noun from marketable:  (1) Fit to be offered for sale, as in a market (2) In demand by buyers or employers; salable (definitions from The FreeDictionary.com).

 

Why is such an innocent word striking such fear and dread on the GCU Forum these days?  Don’t we all have just enough confidence to think that our work is already marketable?  We have our stores open, already!  Striving for an even better product is a natural part of our growth as artists.

 

We are lucky to have a partner like GCU to do the web presentation and promotion for us (I know it isn’t one of my personal strong suits in the business world).  Let’s face it … those GCU Artists who regularly check out the Forum and this Blog are already in the improving process – you are learning with every post you read, in one way or another.  YOU are the ones who likely don’t have to worry about the bar being raised in this respect!  I’m willing to bet that if no mention had been made of the improved standards, we probably wouldn’t have even noticed.

 

But all the words in the world won’t put an artist’s self-doubts to rest.  As an artist myself, I understand this all too well.  So let’s illustrate this with what I do best – photographs!

 

On my photo site I have put up five examples of photos that really aren’t so bad on their own – until I started to look at them with both an artist’s eye AND a seller’s eye.  I describe under each photo what keeps it from being something that I would consider for sale.  But still – something within those photos reached out to me and made me want to salvage them.  So I did!  The end result is also pictured and under that sample I describe what I did to turn it into the final result that was accepted at GCU and worthy of my signature. Find it here:

 

Peggy’s GCU Teaching Gallery

Inspiration Station: Photo Card Inspiration

August 9, 2011

PHOTO CARDS & SCRAPS: An Odd but Useful Couple

With GCU’s new Custom Photo Cards, artists are scrambling to figure out how to make eye-catching designs that will entice shoppes to buy. Some artists have already been doing personalized photo cards at Zazzle. Others don’t even know where to start. Well, if you’re looking for new source of inspiration, try scrapbooking layouts. Sounds crazy, I know, but it makes a certain kind of sense.

About 99.9% of the time, a scrapbook page includes a photo (sometimes two, or three, or more), and layout templates can give you ideas about how to creatively incorporate spaces for photos in your own designs. Here are some places to go for inspiration + a few other things I thought you might find helpful:

Scrapbook.com Gallery
With almost a million and a half layout templates and page examples, this is a resource you can spend days combing through. New stuff is added quite frequently.

Free Digital Scrapbooking Layout Ideas
No frills templates for you to study without the distractions.

Scrap Girls Gallery
Another place to find colorful, fun examples of scrapbook pages and get a good idea about layouts.

Photo Card Boutique
A nice place to explore. These are actual greeting cards that you can view to get a good idea of what’s hot in the personalized photo card world.

SLR Camera Simulator
This one’s a bonus for the photographers. It’s a site offering a free learning tool, a virtual simulation of a camera that allows you to experiment with all kinds of settings and see the outcome. Much fun!

Creature Comforts – Daily Inspiration
Another site offering color palettes taken from photographs. Very beautiful.

Before you start designing photo cards willy-nilly, I suggest you spend a couple of days studying the market trends, learning what’s hot, and above all, learning how to build a pleasing layout for your cards. A badly designed card will not attract buyers. Besides, you don’t want to waste your time creating cards that may be declined, do you? So do your homework first, absorb the basics, learn by example, and then have fun!

Please be aware that some  scrapbooking sites offer “free” digital downloads of things like Photoshop brushes, digital kits with cute elements, fonts, etc. I want to point out that while these are free for personal use, they are not okay for commercial use (unless, in some cases, you purchase a special commercial license). Read the Terms of Use.

 

Dash of Inspiration – August 8, 2011

August 8, 2011

A Dash of Inspiration…A Cup of Creativity by Doreen

New Photo Card Software at GCU!

GCU’s new Photo Card creation software is slick and I for one, LOVE IT!  I have sold many of these types of cards on Zazzle because of the customer ease of use, though I have sold some on GCU in the past through customization, I also didn’t have many to offer due to the difficulties of the past when dealing with the customer.  Now with GCU’s terrific new software this whole idea is sweet & easy for the artist…design once, sell tons!

I seek inspiration for this type of challenge by visiting the competitors, and I mean GCU competitors not my own fellow artists.  Visit photo cards across the internet to get ideas for what you can do; especially places that seek submission and/or pay artists to create designs.

Today I offer a couple of links for inspiration from our competitors who include beautiful examples of photo cards – Photo Card offerings from Kodak– plus I’ve included a link to 30 Beautiful Photo Frames and Borders, Photoshop Tutorials, Brushes and Actions for you to peruse and download.

Enjoy!

Artist Doreen Erhardt, Salon of Art

Critique Clinic – August 5-7, 2011

August 5, 2011

How does it work? For three days a week (Friday-Sunday midnight), I will open the clinic to any artist who wants an honest peer review and critique of a card which gets plenty of clicks but no sales, so something’s probably not quite right, or you’ve got a new design you want to test drive, or you’re unsure about the marketability of a card. Or perhaps you’re a newbie who isn’t sure if a recently submitted card is up to a marketable standard. Anyone is welcome to participate. In fact, I encourage everyone to at least look at the cards in question and read the critique comments – you may learn something. The purpose of the clinic is to help artists improve the commercial appeal and marketability of their cards.

THE RULES

  • ONE card per artist only.
  • Card must be for sale at Greeting Card Universe.
  • We will take an unlimited number of artists, including those who have submitted recently, HOWEVER I reserve the right to close a clinic for the day if the submissions become overwhelming. If the clinic has been closed, and you submit a card, your comment will be deleted.
  • To submit a card for critique, post a link to the card’s details page at GCU in the comments section of this clinic post.
  • Any artist is free to comment and/or give a critique of a submitted card. HOWEVER, post-and-run comments like “great card” or “you suck” will not be tolerated, nor will abuse. Criticism should be constructive, not destructive. Play nice or you will be banned.
  • I also won’t tolerate temper tantrums if you decide your “artistic integrity” is being stepped on because you asked for a critique, and someone told you the photo you’re using isn’t in focus. If you can’t take honest criticism, don’t submit. Once gets you a warning; twice and you’re banned from submitting in the future.
  • Artists who critique may do so by giving their opinion, posting an example of another card, or pointing the submitter to a video, on-line article, or other helpful suggestion.
  • Don’t forget that artists who are giving you tips and helpful advice are volunteering their time and trouble. Be nice. A link back to their store on your website or blog is appreciated (but not mandatory).
  • You are free not to take any advice offered. There’s no guarantee any card will be a bestseller, so don’t come into the clinic with unrealistic expectations.
  • Rules may change as we go along and we see how things turn out, okay?

So without any further ado, I declare this week’s Critique Clinic open!

Guest Blog: Sun at Night, Photographing in Public Spaces

August 4, 2011

Today’s guest blog comes from Sun at Night of Sun from Sun at Night Studios – a really hot topic at the moment for the photographers, and useful to know whether you’re designing greeting cards for mass market commercial use, or selling to micro-stock sites. Thank you, Sun at Night, for your hard work in researching this difficult topic!

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Beginner’s Guide to Photography in Public Spaces

How does a photographer create a photo in public spaces and use it in a commercial project? Believe it or not, this question is asked more times than anyone expects. The answer is simple, legally. To achieve this takes three things: Photography permits, property releases and model releases. To obtain these takes time, preparation and project planning.

Just what are public spaces? These are locations that entail: city streets, neighborhoods, businesses, residences, parks, gardens, county roads, beaches, some parking lots, and historical landmarks. All of these types of public spaces generally require a permit. A permit is often required when any kind of commercial photography is taking place. In some areas of the U.S. (California for example) it is based on commercial intent.

Commercial photography is defined as either photographs or professional photography services for sale or profit aside from filming for motion pictures or television. Many times when applying for permits there will be pre-requisites involved. These pre-requisites are constantly changing, and can range from simple requests for copies of itineraries or it can include proof of insurance for public land liability. Production insurance is more affordable than most people realize and it is always a good form of protection for any type of photography business.

A location permit is only the first step. Additional releases will more than likely be needed. If the public space location includes intellectual property that is copyrighted, trademarked, or privately owned property releases are generally required. Some common examples are statues, skyscrapers, bridges, and city seals or other insignia.

The reason that property releases are needed is fairly straightforward. There may be times when photographers will use property belonging to others. The release is a contract that details the terms of use of the property.

The other type of release is a model release. This is for any person(s) that are in your photo. Crowd photos do not require model releases – the model release is typically for any identifiable person(s).

Other identifying marks that can creep into the public space photo need to be removed, such as: license plates, logos, airplane call letters, boat names, and of course addresses need to be out of the picture. In certain circumstances photographers will use the location permit as the property release, forgoing the need for an extra form. This works well for national parks, county and city parks, gardens, and arboretums where there are no additional objects with intellectual property.

We’ve all heard about the quirky state laws, but needless to say some of these are still enforced while others are not. Some of these quirky laws don’t really pertain to photography, but they do pertain to the location.

For instance, in the state of Virginia any individual is not allowed in a cemetery at dusk. That may put a damper on vampires, ghosts, and other eerie themed photos.

Quirkiness can be found elsewhere that actually does pertain to photography. In the state of Washington, it is reported that it is illegal to photograph ghosts. In Alaska, it is reported to wake a sleeping bear to take a photograph of it is illegal. In the state of Wyoming, it is reported that photography of rabbits can only take place between the months of January to April without an official permit. In the state of Hawaii, it is illegal to annoy any birds in park areas.

These old laws are not only at the state level but at the county and city levels as well. It is best to research what is required. Identify what paperwork is needed, obtain it, and have it handy and ready for proof while on location. Abide by all rules outlined by the permit.

Legal commercial photography is important. Beginners are often tempted to go to any public space and start clicking the shutter. If you have any commercial intent, resist this urge. One photographer found themselves in the middle of a lawsuit between a muralist, a trade association, and one of the biggest distributors of stock photography (Cerventes & Dolores Huerta of United Farm Workers vs. Corbis). The photographer did not obtain property releases for the traditional art, nor the logo that appeared in the photograph. Just remember that being commercial equals legal photography.

Project Planning Do’s

  • Plan for at least a 1-month lead-time minimum.
  • Gather site location requirements
  • Scout suitable locations
  • Identify applicable city, county, or state photography permits that are needed.
  • Research state and local laws that prohibit photography.
  • Know your budget. Expect fees.
  • Think safety first – always make sure the site is not hazardous.
  • Documentary photography is not always considered editorial; some governing entities treat it as commercial

Assumptions

  • Do not assume that public space includes interiors, museums, galleries, airports, railroads, bus stations, carnivals, events (example: Burning Man), state and county fairs.
  • Do not assume that all locations accept flash photography.
  • Do not assume that photography is allowed at playgrounds (currently this being talked about in Ireland), cemeteries, schools and transportation areas.
  • Do not assume that just because editorial photography is allowed that commercial has the same rules. Many locations have exceptions for editorial photography but prohibit commercial photography.
  • Do not assume that aerial photography (including kites) doesn’t need a permit.
  • Do not assume that police understand photography rights or laws. Be prepared to answer any questions.
  • The photographer can assume to expect the unexpected.

Starting Out Resources

ASMP (American Society of Media Photographers)

Property Release

Model Release

Minor or Under Age Model Release

Easy Release Smart Phone Application

National Park Service

Photography Permits

California Film Commission

California Photography Permits

Modeling Wiki

More links to permits

Shutterstock’s Prohibited Stock Photography List

Muralists Legal Rights

 

Guest Blog: Sheryl Kasper, Photo Fixing

August 3, 2011

Today’s guest blog is from Sheryl Kasper, who’s sharing her technique for turning a not-so-great flower photograph into a beautiful, marketable shot by using digital manipulation techniques in Photoshop. This technique will work for virtually any object, by the way. Thanks, Sher!

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Digital Magic:
How to Make the “Ho Hum” Disappear
From Your Photographs 

Do you ever find you have a nice image, but there are a lot of distracting elements in the background?  I have!

When I started getting into photography, I took a lot of photographs of flowers out in the garden.  I found a lot of my flower images taken in the garden had so many distracting elements in the background.  Though my subject flower was very pretty, I was always disappointed by the background.

I soon realized my passion for flower photography was better suited in a controlled setting.  By that I mean table top, or still life, photography where I could set up my own background and add my own lighting.  I did not have to contend with weeds, dead flowers or the wind blowing the flower around making the flower difficult to photograph.

So with that said, I have written a Squidoo Lens that may help revamp some of your ho-hum images.  Though I used a flower image as an example, I feel these directions may help with any other type of photograph where the subject is well lit and the background is bad.  It is called, “Turn a Plain Image into a Marketable Design”, and includes Photoshop tutorials on how to:

  • Isolate the flower out of the photograph,
  • How to add a new background,
  • How to add a drop shadow under the flower,
  • How to size the flower,
  • How to add a colored rectangle design element,
  • How to put an outline around the rectangle,
  • How to add text.

I made the final design very simple so that it would be easier to teach how to use these Photoshop features.    Thank you and I hope you find it useful.

Turn a Plain Image Into a Marketable Design

Guest Blog: Tanya, Photos of Teddy Bears

August 2, 2011

Today’s guest post comes from Tanya (Moonie) at Moonlake Designs, and it’s all about the do’s and don’t of photographing teddy bears. I know some artists enjoy taking snaps of their bears and other toys. The same general rule will apply no matter what object you’re photographing – if you didn’t make it, you don’t own the copyright. Read on for some good information, and join me in thanking Moonie for all her diligent work!

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PHOTOGRAPHING TEDDY BEARS:
DO YOU HAVE THE (COPY)RIGHT?

It seems so easy. You’re a photographer and you collect teddy bears, so you think you’ve got a quick and easy way to make attractive greeting cards: just photograph the cute little bears, add some text, and you’re done. Unfortunately, it’s not always clear whether the bears you’ve purchased are under the manufacturer’s copyright or not, and whether you have a right to sell commercial products with their images.

I was asked to make this guest post to shed some light on a very confusing issue, and I was surprised myself by the outcome.

GCU has policies regarding copyright and intellectual property rights. Making greeting cards using someone else’s property (yes, you took the photograph, but an image of an identifiable bear – like an image of an identifiable automobile – may be under copyright to the creator or manufacturer) can cause delays in the review process since GCU has no way of knowing whether you have permission to use the bears on a commercial product.

If you’ve gotten the necessary permission, and you’ve followed the requirements of each manufacturer or artist creator to obtain a license (more about that later), be sure to include that information in the Notes to Reviewers field when you’re creating a card. You’ll have much smoother sailing and you won’t have cards Returned for Edits or Declined for possible copyright infringement reasons. Also, GCU has stated in their Wiki that they don’t really want photos of store bought items like teddy bears unless the photographs are studio quality – meaning good lighting, in focus, well cropped, good composition, etc.

Now let’s talk about bears!

General Rule of Thumb: Do not include the name of the bear or the manufacturer or creator in your keywords. This will cause them to be declined by GCU.

Common Bears: That is, stuffed teddy bears with no special tags or identifiable marks, which can be purchased in any Dollar or Pound store and are not attributed to anyone in particular.  These you can photograph to your heart’s content.

Barbara Ann Bears: I spoke to the lovely Barbara Ann Bears, and as she sells thousands of distinct bears that are easy to spot, I figured she would be an excellent starting point. Barbara’s take was: if you photograph her bears in any situation (decent of course), you will be required to add in your Artist Notes the company name and website if possible. In this case, you’d put in the Artist Notes – Bears by Barbara Ann Bears.

To be honest, that is exactly what I would expect if someone wanted to photograph one of my own bears for commercial use, but like Barbara pointed out, it’s always nice to be asked and she is happy with that. I’d say most artist would be happy to be asked rather than a photographer presuming they can do what they want without permission.

Merry Thought Bears: This one’s harder. I telephoned them and spoke in person to the lady who deals with these issues (they have a full legal department). Merry Thought requires you to have a licence to use your photograph for each bear, particularly the Cheeky Bear – this bear holds a licence all to itself as it is their key signature bear. So if you plan to photograph anything from Merry Thought including the rocking horses which they are famous for, you will need to email them what you are going to do with it, where you plan sell it, and a small picture of the card. They will then instruct you regarding a possible license.

Gund and Boyd: To obtain a license, you must first contact them by e-mail requesting a licensing form. Fill out the form, include the photographs you took of the bears, send the whole lot off to the company, and wait until they give you the thumbs up. When you get permission, you must include Bears by Gund or Bears by Boyd in the Artist Notes.

E-mail address:  kelly.barlow@enesco.co.uk
CC: helen.scott@enesco.co.uk

Dean’s: These were my biggest surprise to be honest. Not only were they quite happy for you to take photographs of the bears, they did not even want you to remove the labels and tags, they left that one up to your own discretion (quite clever, really). Dean’s are one of the UK’s big guns and sells globally. They also carry artist bears, but each of those bears has the Dean’s logos and tags. Now Dean’s told me if you remove the foot tag and the tags and all other marks, please be courteous and put Bear By Dean’s, Name of bear if applicable, in your Artist Notes. BTW, they loved the idea of their bears on cards. I was rather taken aback but then Dean’s boss is a sweetie. I have had dealings with him previously.

Steiff: Steiff is a BIG no-no. They will not tolerate anyone photographing their bears for commercial use in any shape, way or form. They say you have no right to do this even if you own the bear, and their legal department will take a dim view of any violation. So no matter how cute that Steiff bear is, don’t go there.

Russ Berrie Bears: Now Russ… I always loved talking to them, and the lady was so very helpful. Basically, Russ is NOT out of bounds. They are quite happy and have for a long time allowed people who have purchased their bears to use them for this purpose, but you must not have any keywords, Artist Notes, or any labels, tags or distinctive marks showing to alert the customer that it is a Russ Bear. You can even use the Signature collector bear by Russ Berrie himself (pre-death of course) but you must remove his signature from the foot of the bear, no tags may show. The bear you use is irrelevant as long as you stick to those guidelines. They also require you to email them and to attach a small picture of the card you intend to make. This is for legal purposes. They will reply, and she said they are always very happy to do this.

This makes me happy as I have all the signature bears plus some rare ones that only shops could get for display

Original Hermann Teddy Bears: This is a big one we all recognize. I was told by the Managing Director of the company that while they have no problem with you taking photographs of their bears for personal use, you must identify them either company name, by making the red teddy tag visible or the company’s older marque. BUT – and this is a big “but” – if you want to use that photo commercially, as in mass market greeting cards (which is GCU), then you must write them for permission and pay a licensing fee.

The address to send a permission request is:

Teddy-Hermann GmbH
Margit Drolshagen, Managing Director
Amlingstadter Str. 5
D-96114, Hirschaid
Germany

So you see, most of the time, (but not all the time) the manufacturer is okay with granting permission as long as they’re assured the cards including their products are in good taste. Most of the time, you don’t need to purchase a license, just ask permission and follow the guidelines. If you’re using several bears on a number of cards from one manufacturer, I suggest you send them photographs of the entire series of proposed cards at one time rather than individually to save time and hassle (of course before uploading to GCU).

Artisan Bears: These take a long time to create (I make them myself and they can take days depending on which bear you are creating) so please be courteous and ask the maker. Most are approachable, there are a lot of good artists out there who will take time to answer an email. Be nice and ask. If permission is given, out of thanks to them just place Bear By: Artist Name or company name in the Artist Notes.

If you are a teddy bear artist and you’re taking photographs of your own designs, do not title your photograph/art as Teddy Bear Birthday Card By Avalon Bears (for example) or put this information in the keywords. This violates GCU’s rules. Put the information in the Artist Notes instead.

Second Hand Bears: What happens if I don’t know the artist because the bear was bought second hand? Well that is not really an excuse to be honest, with the Internet and forums there is always help at hand. If it is straw filled, bean filled, and well made using mohair mostly, and has joints, you can bet it’s not made in China with no pattern.

These bears are usually identified with a small bum tag saying the name of the artist, and/or bear company. It could be as little as Bears From Bruin. You might say “huh?” but these artists can recognise a bear from a mile off as they tour fairs and each other’s stores, so each bear artist will know another by nature if they are in those circles. It costs nothing to do a little research and send an email. Bottom line: if you are in doubt ,don’t use it for your own sake.

What if your bear has a “made in China” white label, no description, just the safety text on the label? Well, you can photograph it unless it also has the copyright symbol. In that case, research will be required before you can use a photograph of the bear commercially. Bottom line: cover your bases, do the research to identify the bear before you make a card or any mass market commercial design.

How do you tell if your teddy bear is an artisan bear?

  • Cotter pin joints: Feel the bear’s arms at the top. You will feel a disk of card, a hard circle, it will differ from the commercial joints as these are usually plastic and not as defined.
  • Seam: Run your finger down the bear’s spine and/or sides. On an artisan bear you will feel the seam nine times out of ten. Of course, this method isn’t perfect, but it’s the best you can do.
  • Ears: Feel the bear’s ears. If they’re slightly rough, and you can feel stitching, I’d bet on an artisan bear because their bears are not for children, so the ears can be attached differently than a manufacturer who has to comply with safety standards.
  • Wrist: Gently run your fingers down the arms to the paw pads. If the bear has a slightly bent wrist, you will feel the pinch on an artisan bear.
  • Nose: Feel the nose. Has it got straw in there? Bit of a crunchy feeling? A lot of artists use this technique. Another point with the nose is the ever telling stitching. Each artist has a style of their own. My bears had big old noses and little eyes, easily recognisable by me. A lot of the artists, purely because they have to hand stitch the bears, will recognise the nose as it has been practiced over and over again and they usually (not always) but usually do stick to what comes naturally since the nose can take so long to get perfect.
  • Eyes: Rub your teeth on the eyes. Are they glass? if they are, then they are artisan bears, as not many use plastic. Only the wild, wacky bears will have plastic eyes.
  • Color/Material: If it is wild coloured, an obvious long hair tie-dyed effect, and is mohair, again an artisan bear.

With or without labels, artisan bears are easy to spot, including the miniature bears. These will also have distinct seams and joints. Some use cotton joints on the tiny bears. I have one no bigger than half inch, but it’s still jointed and is an obvious one. Bless him, his label is bigger than he is!

So in short, if you want to photograph teddy bears (or any stuffed animal, or doll, or toy bought from a store, a garage sale, a fair, or anywhere else for that matter), it’s best to be sure to get permission from the manufacturer and/or artist BEFORE you start uploading cards or you may find yourself in a legal pickle.

Dash of Inspiration – August 1, 2011

August 1, 2011

A Dash of Inspiration…A Cup of Creativity by Doreen

Floral Photography 101 and Beyond

As we all know, weeding is being done at GCU and much of that is of our photographs.  Floral photography is perhaps the largest subject matter on the site and a love for many of us.  So this morning I created a Squidoo Lens which offered a good format to provide some examples of beautiful floral photographs at GCU and allowed me to include tutorials that might help improve some of our flower photos.

For My Wife - Floral Garden Birthday Card - artist Doreen Erhardt

Due to Squidoo’s limit of 8 outgoing links to the same site, none of the GCU examples have direct links, rather they have a link to the artist’s store listed which can be copied to your browser.  This lens will continue to grow with beautiful examples and tutorials as I have the time to add them.  I hope some of you find this helpful and that it also offers inspiration to perhaps go play with some of your existing floral cards to improve them as you see fit.

Here’s the link to Floral Photography 101 and Beyond.

ENJOY!